Don’t bore me: How to frame your investigation and tell a captivating narrative that gets noticed
You've got the goods for a blockbuster and plenty of reporting to back it up, but now what? Skip the bulletpoints. We'll talk about strategies for weaving your investigative findings with artful storytelling that will hold your audience’s attention and amplify your impact — no matter if it’s in print, a podcast or somewhere in between.
Cary Aspinwall is an investigative reporter at The Marshall Project. Previously at The Dallas Morning News, she investigated everything from a gas company's alarming record of blowing up its customers' homes to what happens to children when their moms are arrested. She's a co-founder of The Frontier, a nonprofit devoted to investigative reporting in Oklahoma and in 2015, was a finalist for the Pulitzer Prize in local reporting. Twitter: @caryaspinwall
Mike Hixenbaugh is an investigative reporter for the Houston Chronicle focused on exposing fraud and abuse in health care. Previously, he was a reporter at The Virginian-Pilot in Norfolk, Va., where his work on the military and veterans affairs was co-published with ProPublica, NBC News and the Investigative Reporting Program at UC Berkeley.
Kameel Stanley is senior producer of The City, USA Today’s critically-acclaimed podcast about power in urban America. She previously co-hosted and produced We Live Here, an award-winning podcast about race & class from St. Louis Public Radio & PRX. But her roots are in print journalism; for several years Kameel was an investigative beat reporter at the Tampa Bay Times. She also runs a storytelling organization in St. Louis and a brunch club for women of color.
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