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The story describes the burgeoning industry in posthumous sculptures attributed to Salvador Dalí and the continuing difficulties experienced by the Gala-Salvador Dalí Foundation in Spain, which has responsibility for managing Dalí's estate and legacy, in slowing the spread of these questionable works. The sculptures are often bought and sold as original works by the artist. The story demonstrates that, in fact, most of the sculptures were authorized by Dalí's wife and business managers, either posthumously or when the artist and his wife were old and infirm, and continue to be produced long after the artist's death, in 1989. Dalí had little or no direct involvement in the creation of many of them. The story also demonstrates that new, apparently fake versions of the sculptures continue to appear, some of them openly marketed by a Chinese foundry that has no license to make the sculptures. The story updates an investigation published in ARTnews in December 2008 that for the first time described the Dalí sculpture industry and identified the producers of the sculptures.